Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-25 06:25 pm

I’m Off Officiating a Wedding and Athena is Away Visiting Friends So Here is a Picture of Charlie to

Posted by John Scalzi

Doesn’t she look happy? Of course she does. Her life is pretty sweet, after all, lots of love and walks and rolls in the grass. It’s good to be a pup.

Also, for those who don’t know, yes, indeed, I do officiate weddings! It’s for friends and such. I mean, I was probably going to be at the wedding anyway. Why not make myself useful.

We’ll be back on Monday. Until then, have a fabulous weekend, and if you’re in part of the US currently under a heat dome, keep yourself cool and remember to hydrate, okay? Thank you.

— JS

ILONA ANDREWS ([syndicated profile] ilonaandrews_blog_feed) wrote2025-07-25 03:52 pm

The Inheritance: Chapter 13

Posted by Ilona

The trek from the anchor chamber to the gate was short. So short, I nearly cried.  Only a few dozen yards on the other side of the anchor chamber the ground sloped downhill into a wide tunnel that led pretty much straight to the gate.  I had wandered through the tunnels for days.  I must’ve crossed above this tunnel several times, never finding access to it.

After the first few minutes I started running. Jovo kept up with me and we bounded through the passage, with Bear in the lead. The way was clear. All the monsters were either dead or too scared to get in our way.

We’d crossed the killing site of Malcolm’s team. I stopped long enough to pick up some aetherium charges. I didn’t look at the bodies.

The assault team had marked their path with white arrows painted on the walls. Following their route was easy.

We’d been running for what felt like a couple of hours, when I saw an orange arrow on the wall. I remembered when Hotchkins drew it. We had reached the turn off to the mining site.

Finding London’s cave-in took no time at all. Two aetherium detonations later, we blasted a hole through the rubble. With my new strength, I could’ve dug through it, but I was in a hurry, and when I flexed, my talent conveniently marked the best place for an explosion.

We made it into the mining site. The bodies lay where they fell. Nothing fed on them, nothing touched them. They had been decomposing for a week and some were beginning to bloat. The four gress, however, had shrunk as the shroud leeched off the last of their body fluids. I set off the remaining amulets one by one, until the dead gress became ash.

My mother was decomposing too, although much slower than the humans around her. I wrapped her in her robe, carried her into a side tunnel, to one of the dead ends, and placed her on the bottom of a shallow pool while Jovo stood guard. I used the last aetherium charge to collapse the passageway. Cold Chaos had no reason to go this way and with luck, her body would remain undiscovered.

I stood there by her tomb in silence for a long moment.

Thank you for your gift. I promise I won’t squander it.

The secret of the breach was hidden. It was time to go home.

#

Main blade, backup blade, four aetherium grenades…

Elias turned away from the table filled with his gear. Something was going on outside. He headed to the library’s entrance. Outside the window, the sunrise barely began, the street and the gate awash in the early dawn light.

Elias stopped by the tinted window. The gate was on his left. In front of it, Leo stood with his arms crossed. Kovalenko was on Leo’s right, lean, dark-haired, holding his bow. The cryo ranger was poised on his toes, the bow casually hanging in his hand. Kovalenko summoned energy projectiles, which his mind shaped into arrows. Contrary to the misleading name of his talent, they didn’t encase things in ice. When one of Kovalenko’s arrows struck, his target seized up, frozen in their tracks for a couple of moments, as if tased. The bow wasn’t strictly necessary, but it helped him aim.

To the right, at the mouth of the street, ten people had disembarked from a personnel carrier, grouping themselves around their leader. Tall and broad-shouldered, he towered over his team, and his bulky tactical armor, reinforced with adamant, only made him look larger. Anton Sokolov, a bastion Talent, a good solid tank with just the right amount of aggression. The woman next to him was older and willowy, her dark blond hair pulled back into a French braid. JoAnne Wright, otherwise known as the Bloodmist. For some reason, a lot of women awakened as pulse carvers, high burst damage dealers who used bladed weapons and diced their opponents into pieces in a controlled frenzy. JoAnne was one of the best.

Elias recognized a few other faces. All ten had the same charcoal and white patch on their gear: a dark square showing a shield with two stylized wings spreading from its sides. A faceless human bust rose out of the shield with a sharp corona of triangular rays stabbing outward from its head. It was meant to evoke guardian angels and general badassery, but to him it looked like some faceless winged crash dummy thrust its head through the shield and was now stuck wearing it like a yoke.

The ten people on the street wore it proudly. The Guardian Guild had sent their A team to claim the Elmwood gate.

He didn’t hold it against Graham. It wasn’t personal. Graham was like a shark: always hungry and looking for something to sink his teeth into.

Krista walked out of the library’s depths and stopped next to Elias. A faint red glow traced her long dark fingers, a precursor to an inferno.

“Look at them all dressed up. Bless their hearts.”

“Are we ready?” Elias asked.

“We’re good.”

“London?”

“Geared and armed. If he isn’t happy about it, he’s keeping it to himself.”

“I’ll need you to watch him in the breach.”

She smiled. “No worries. If he sneezes the wrong way, I’ll be on him like a hawk.”

On the street Anton shrugged his massive shoulders. “You’re standing between me and my gate, Leonard.”

“Funny, I thought I was standing between you and our gate.”

Anton sighed. “Don’t be fucking difficult. We both know the DDC is going to announce the gate change.”

“If they reassign it and if the Guardians get that assignment, we’ll revisit the issue.” Leo’s voice was cold and light. “Until then, you are trespassing. This is your only warning: turn around, sashay back to your soccer dad minivan, and get the fuck out of here.”

“Your healer is stuck in Hong Kong,” Anton boomed. “And the old man isn’t here to pull your ass out of the fire.”

The old man, huh?

“We know he left for HQ last night.”

Elias’s eyebrows crept up. Last night he and Leo returned to HQ. It was late but he wanted to speak to Ada’s children one more time before the news broke. Leo came with him for that conversation and then went back to the site in the Cold Chaos vehicle. Elias stayed for another hour, finishing up some last-minute things. He’d taken a ride-share back, had it drop him off several streets away, then ran the last couple of miles to clear his head. It worked – he’d slept well for the first time in a week.

 Someone from the Guardians must’ve been watching the site and noted Leo coming back without him.

“We all know you can’t go in,” Anton continued. “There are ten of us here and we’re ready to enter. Why don’t you step aside and let us fix your mess?”

“He did just say that there were ten of them?” Leo asked.

“Yes,” Kovalenko confirmed. “He learned to count.”

“Did that sound like a threat to you?” Leo wondered.

“It did.”

Leo’s eyes blazed with white. Two huge dark wings thrust from his back, ethereal as if woven from a thunderstorm. Lightning crackled and danced across the phantom contour feathers.

A pulse of deep green shot from Anton and contracted back into an aura that sheathed the big man like second armor.

“Persistent,” Krista said. “What do they know that I don’t?”

“There is a big adamantite vein in that breach,” Elias said.

“Someone has been talking.”

“Mhm.”

And he had a very good idea who. The pool of suspects was limited to four. Wagner was too pessimistic, Drishya was too young and inexperienced, and Melissa thought the guild completely had her back, thanks to Leo’s gentle style of interrogating. Only one person’s future was in doubt. London had taken an opportunity to open another door for himself.

“They aren’t normally that aggressive.” Krista frowned.

“This is being recorded,” Elias said. “They are hoping to provoke us and then splatter it all over the media.”

“You are in violation of Article 3 of the Gate Regulation Act.”  Leo’s voice was an eerie, unnaturally loud whisper underscored by the roar of a distant storm. “Retreat or we will be forced to remove you for your safety.”

Anton took a step forward. The team behind him fanned out into a battle formation. Anton took another step. A third.

“That’s my cue.” Elias picked up his coffee mug and stepped out the door.

JoAnne was the first to see him. She put her hand on Anton’s arm and when he didn’t react, she said something under her breath. Anton stopped walking.

For a moment nobody moved.

Elias sipped his coffee and started forward. Behind him, Jackson came out of the library and leaned on the wall.

 Elias reached the middle of the street, took a deeper breath, and let go. Power roared out of him, snapping into an invisible half-sphere. Twenty yards ahead of him a mining cart slid out of the way.

Anton glanced at the cart and back at Elias.

Elias kept walking. His forcefield moved with him. The two heavy trailers just ahead of the Guardian group slid to the sides, gouging the pavement, pushed out of Elias’s path.

 The rival guild group backed away. Anton remained and pulled a sword off his back.  The seventy-five-inch-long blade was solid black.  Pure adamant.  Nice.

The forward edge of Elias’ shield touched the rival tank.

Anton gripped his sword, and the oversized blade burst into purple glow. The big man swung. The sword smashed into the forcefield and bounced off.

Elias kept walking.

Anton took a step back and slashed again. The sword rebounded.

Anton slid backward.  Two feet. Three.  Four. The tank reversed his sword and raised it above the pavement, about to stab it into the ground to anchor himself.

“It will break,” Leo called out.

“I’d listen to him.” Elias said, pausing. “It’s a good sword.”

Anton stared at them for a long second.

Elias drank his coffee.

The Guardian tank sheathed his sword. Elias dropped the shield. Another moment and it would be tapped out anyway.

The Guardians eyed him, wary.

Elias took the final swallow of his coffee. “Tell Graham that if he feels some way about this, he’s welcome to give me a call after I’m done with this gate.”

Anton turned his back to him and went back to the van. His team followed.

Elias watched them go, then turned around. “Alright people, I want us in that breach in ten minutes!”

#

The gate loomed before me, huge and dark. I turned to Jovo and pointed at it.

“Home.”

He grinned.

I opened my arms and hugged him.

He hugged me back and said something in his language. If my gem was awake, I might have understood it, but it was still dormant.

Jovo tinkered with his bracelet. A pale hole formed in the middle of the tunnel, with a fiery rim that spun like a pinwheel, throwing long trails of sparks. I glimpsed a strange city of sand-colored stone poised against a purple sky with a huge, shattered planet hanging above it.

Jovo pointed at the portal. “Baha-char. Kiar sae Baha-char.”

I had no idea what baha-char was.

He grabbed my hands, looking into my eyes, and pronounced the words slowly.

“Baha-char, Ada. Kiar sae Baha-char.”

This seemed vitally important. “Kiar sae Baha-char.”

He nodded.

“I’ll remember,” I promised.

Jovo grinned, let go of my hands, bowed to me, and dove into the portal. It snapped closed behind him, vanishing into thin air.

The tunnel lay dark and silent.

I took a deep breath and pulled my phone out of the pocket of my coveralls. I had carried it with me all this time, in a military grade shatterproof and water-tight case. I had turned it off when I entered the breach and hadn’t fired it back up even once. Even when turned off, phones still lost charge, and I needed it to power on now. My life literally depended on it.

I pushed the power button.

#

Elias surveyed the nine-member assault team in full battle gear. The best Cold Chaos had to offer. They looked ready. Everyone was rested. The sun was up. It was time.

He turned back to the black hole of the gate. “Alright. Let’s do this.”

#

The electric glow of the phone screen lit up the tunnel. Only 2% of the charge left, but it was enough. Just enough.

The camera wouldn’t work and I couldn’t waste any charge on it. I couldn’t see myself. I didn’t know what I looked like now or if I had enough humanity left in me to exit. My hands shook from the pressure.

I scrolled through my contacts, found the right name, and tugged the sleeve of my coveralls over my sword bracelet. Here is hoping I won’t need it.

I was still me.  I was Ada Moore. It had to let me out. 

There was only one way to find out.

“Come, Bear.”

My dog wagged her tail, and we strode into the gate.

Thank you for joining us for this weekly serial. It was so much fun watching you read the Inheritance. So many feels, so many theories. We are so grateful you chose to spend this time with us.

If you would like to know how the story ends, join us on Monday, when we will talk about projected release dates and reveal the cover.

The post The Inheritance: Chapter 13 first appeared on ILONA ANDREWS.

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-24 12:36 pm

The Big Idea: Payton McCarty-Simas

Posted by Athena Scalzi

It may not be Halloween, but that shouldn’t stop you from learning about the history of depictions of witches throughout the decades in film and media. Author and witch-film-connoisseur Payton McCarty-Simas is here today to take you through a wild ride (on a broomstick) over feminism, horror, and women, in her new book, That Very Witch: Fear, Feminism, and the American Witch Film.

PAYTON MCCARTY-SIMAS:

More than anything else, my book, That Very Witch: Fear, Feminism, and the American Witch Film, is the product of hundreds of hours spent watching movies. I started the project that eventually became this book in college–– or, more specifically, during COVID, revisiting some of my comfort movies during lockdown. As I worked my way through more recent favorites like The Witch and Color Out of Space and old standbys like Rosemary’s Baby and George Romero’s Season of the Witch, I started noticing visual and thematic patterns. Soon, I was hooked on witch films (though as my list of favorites might suggest I always have been), and I started watching in earnest. 

The big idea of That Very Witch is that, by tracing how depictions of witches evolve and change in American horror cinema over time, we can learn about the state of feminism in a given moment, essentially taking the cultural temperature in the process. I trace specific threads through the decades––namely psychedelic imagery, counterculturalism, and feminine rage among others––but each and every smaller idea relied on a huge amount of cinematic data to really put my finger on. I watched over three hundred hours of film for this project, noting different patterns and shifts from decade to decade over hundreds of pages of notes, several Letterboxd lists, and a slightly unhinged-looking conspiracy board. 

While all genres move in cycles that capitalize on trends––consider the YA dystopian romance boom that followed The Hunger Games––horror is particularly trenchant given the films’ consistent popularity, relatively low budgets, and quick turnarounds. Simply put, the industry makes a lot of horror movies looking for a quick buck, and, given that profit-motive, producers are always responding to popular demand for a given subject. The terrifying proto-viral success of The Blair Witch Project gives us an explosion of found footage horror, and eventually the runaway blockbuster that was Paranormal Activity, which in turn gives us a rash of suburban hauntings, and so on. As scholars like Robin Wood have long suggested, then, horror can be viewed as an extension of our collective unconscious (in his words our “collective nightmares”), our national fears made manifest at the intersection of broad commercial incentives, personal artistic impulses, and the zeitgeist. 

When it comes to witches, I noticed that in moments of high-profile feminist activism, say, the 1960s or the 2010s, witches become more popular––and more frightening––on screen. That’s not to say that witches disappear in other eras, far from it. But the characters of those depictions take on different tones and valences depending on the politics and trends of the moment, and that’s just as indicative of the politics of the age. Witches can be mall goths or hippie chicks, old women in pointy hats or teenage girls in low-rise jeans and lip gloss (or all of the above!) depending on the decade. They can be frightening or funny or fierce. But it takes a lot of hours of films, not to mention countless hours of historical research, to understand what depictions are most common when, and why. 


That Very Witch: Amazon|Barnes & Noble|Bookshop |Kobo|Waterstones

Author’s socials: Website|Instagram|Tumblr|Letterboxd

Read an excerpt.

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-23 08:49 pm

Starred Review of The Shattering Peace in Library Journal + Moon Review in the Seattle Times

Posted by John Scalzi

A starred review means the Library Journal found The Shattering Peace particularly noteworthy, which makes me happy. The review is here, but I’ll quote the last line: “Highly recommended for readers who love broad sweeping space operas and science fiction with a high quotient of dry humor and witty sarcasm.” I bet that’s you, isn’t it?

Also, a lovely review of When the Moon Hits Your Eye in the Seattle Times, in which the reviewer says that they admire me “for my impressive ability to make readers laugh out loud and then realize mid-chuckle that there are larger, deeper themes at play.” It’s nice when reviewers pick up on that.

— JS

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-23 03:23 pm

The Big Idea: Jason Sanford

Posted by Athena Scalzi

More important than writing for an audience, is writing for yourself. Author Jason Sanford has chosen to write true to himself above all else, not holding anything back in this Big Idea for his newest novel, We Who Hunt Alexanders. Come along and see how being neurodiverse helped shape this story, as well as his own story.

JASON SANFORD:

In fiction, the mask comes off.

Which, yeah, not a revelation for most authors and readers. After all, fiction has long lifted the veil on reality and explored topics, ideas, and dreams that are seen as too difficult, unsettling, or daring to discuss in our everyday lives. Fiction is also a window for seeing life from different perspectives – a way to escape from our individually limited viewpoints and experience the world through the eyes of other people. 

But that’s not what I mean when I say that with fiction, the mask comes off. For me, that statement is instead extremely personal and extremely direct. Because as someone on the autistic spectrum, when I write my stories the mask I normally wear has indeed been removed.

If you’re not familiar with masking, it’s a strategy used by some people on the autistic spectrum as a survival mechanism. A way to live, work and be somewhat accepted in a world where how we see and experience life is not only not welcomed but frequently shunned.

I once discussed being on the spectrum during a convention panel. After the moderator listened to me describe how I masked, she retorted “It’s the science fiction genre – we’re all a little bit autistic.” She then added that masking was nothing more than learning to fit in with others, which everyone must do in life.

I wish it was that simple.

When I was young, well before I started kindergarten, my family knew there was something different about how I interacted with the world. I had trouble understanding what other people wanted. I preferred being alone. I’d hyperfocus on whatever caught my attention. And my words – well, instead of modeling my speech on how others spoke, I crafted my own words and ways of talking.

My parents put me through years of speech therapy to try and teach me to speak like the other kids. They also made the decision, based on the recommendation of a close relative who worked in special education, to hide that I was on the spectrum. We lived in rural Alabama and my relative feared if people found out I’d be redlined out of regular schools and classes. As my relative explained to my parents, in our state that outcome would be very bad for me.

My family also hid from me the knowledge that I was on the spectrum. I only learned about this long after I’d become an adult. I’d spent a lifetime wondering what was wrong with how I saw the world. And suddenly BAM!, it all made sense.

Because of all that, I was taught to heavily mask. To hide who I was inside. I basically underwent what is now called behavioral management therapy. And once I started school, I taught myself both consciously and unconsciously to mask even harder. After all, how many times does a kid need to be beat up or told there’s something wrong with them before they hide who they truly are?

My family made the best choices they could and I don’t blame them. But yeah, those years were rough. What saved me was the science fiction and fantasy genre. By reading fiction, I not only escaped from my day-to-day reality but also the pain of wondering what was wrong with me. And as an added bonus, fiction helped me understand the world and the people around me. I still remember reading certain stories and going, “Oh, that’s why people act like that.” Or realizing “That’s what normal people do in those situations.”

Eventually, that love of reading turned into a desire to write my own stories. And that’s when I discovered that by writing my own fiction, I could drop the mask. Through stories, I could show the world who I always was and always will be.

The SF/F stories I write have always been neurodiverse, even when I don’t blatantly write about being on the spectrum. Because of that I’ve been frequently called a writer of strange science fiction stories, or placed in the weird SF/F subgenre. So many times I wanted to tell people that one of my stories wasn’t weird – it was merely neurodiverse. But it’s hard to take off the mask in public even when I unmask with my writing.

But with my new novella We Who Hunt Alexanders, I decided to name it. To say, this is a story about neurodiversity. That this is a story about being on the spectrum. 

Of course, that’s not all We Who Hunt Alexanders is about. It’s also a gothic dark fantasy focused on a young neurodiverse monster dealing with both her mom’s wrong expectations for her life and the religious extremists hunting them down. It’s a story about the anger and hatred we’re experiencing in today’s politics. It’s about the people harmed by the powerful fighting back to save those they love. It’s about having hope even when everyone wants you to forsake that emotion.

But for me, the story will always be about lifting my mask and saying, “This is my life. This is who I am.”

I write my stories so anyone can read them, including those who are not neurodiverse. But I also write them for myself.

My mask is always off when I write.


We Who Hunt Alexanders: Apex Book Company|Amazon|Barnes & Noble|Powell’s Books

Jason Sanford: Website|Bluesky|Threads|Instagram

vaznetti: (lost in the wash)
vaznetti ([personal profile] vaznetti) wrote2025-07-23 03:47 pm

Currently reading

On Wednesday, even!

Almost finished: Ombria in Shadow, Patricia McKillip: This is one of my favorite McKillips and one I reread frequently. I feel like the worldbuilding is more distinctive than some of her other works from this period, maybe because it's set in a decaying city which is vividly sketched in. It also feels a lot more dangerous and high-stakes than some of her later work, at least to me, and I love Mag and Lydea and Faey. I still do not entrely understand what is going on at the end but that certainly is typical of this phase of McKillip's writing.

Midway: Cato the Younger, Fred K. Drogula. I forgot that I owned a copy of this so I was particularly delighted to find it on the shelf. I think it's very good; Drogula does a fine job of maintaining his impartiality while making it perfectly clear what kind of person Cato was, and how much responsiblity he bears for the collapse of the Roman Republic through sheer bloody-minded assholeishness. But he also isn't presenting Cato as a simplistic, moralistic figure: he was also very good at navigating and directing Roman politics in his lifetime, and Drogula also does a good job explaining why the system was perhaps particularly vulnerable to manipulation by men like Cato (or Caesar, his nemesis.)
Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-22 06:27 pm
ILONA ANDREWS ([syndicated profile] ilonaandrews_blog_feed) wrote2025-07-22 03:50 pm

Library Funding Crisis

Posted by Ilona

“Your books are no longer available at my library…”

I don’t need to talk about importance of libraries. Everyone here knows how crucial they are. So many of us rely on libraries not just for their entertainment, but for a way to search for a job, for educating our children, and for interacting with our community. Libraries are essential to good citizenship. They keep us informed.

Also, not to mince words, but a lot of people are on a limited income. Libraries are their only option for reading.

A tiny local library doesn’t have the budget to offer a wide selection of books. Until now these libraries could get a federal grant, which would help them pay for things like Hoopla and Libby. Both of those services offer a massive book database and let you borrow books the local library otherwise wouldn’t be able to afford.

Everyone wins. Readers get books, little libraries can offer a wider selection, and everyone is happy.

Not so fast. We’ve been getting emails about our books suddenly not being available in the library systems. What actually happened was that the local libraries were dropping out of Hoopla and Libby services. They are anticipating having a lot less money next year and they are trying to preemptively save where they can.

Why this is happening:

Prior to 1996, the support for US museums and libraries was spread across several different institutions and was mostly under the jurisdiction of Department of Education. In 1996, these different institutions were unified into Institute of Museum and Library Services (IMLS).

IMLS is the largest and in many cases the only source of federal funding for libraries and museums. If you are any kind of library, botanical garden, zoo, archive, or museum, these are your people. IMLS allows libraries and museums to apply for grants, and it offers resources and support.

If you are a tiny library in a rural community, that’s how you pay for services like Hoopla and Libby. IMLS is your lifeline. The current administration is trying to eliminate it.

The total budget of IMLS is a drop in a bucket. For example, in 2022 it distributed 257.2 million in funding. It’s a ridiculously small amount considering how much money is being allocated everywhere else. The entire IMLS budget for 2026 would be less than .003% of the federal budget.

This isn’t about cost-cutting. This is about control. The less informed people are and the more ignorant they are, the easier it is to control and mislead them.

American Library Association has sued the administration to keep IMLS going, but it is very important that Congress includes IMLS in its budget for 2026. The institute is still operating while the courts are deciding what is going to happen, but if they don’t assign any money to it, then obviously it can’t function.

We need to keep IMLS funded if we want libraries to function.

If you would like to help, please go here.

American Library Association

It costs no money, just a little time. This page tells you how to call or email your representative and let them know you don’t want your local library to lose access to their federal funding.

I’m locking the comments on this post. If you’re getting this through the newsletter, please do not respond to it. We will not reply. Please don’t email us about it through the website. When we respond and write out our thoughts, we feel like we’ve accomplished something and it makes us less likely to take further action.

If you want to do something, go to the link above. This is where we need to focus our collective energy.

Thank you on behalf of libraries.

The post Library Funding Crisis first appeared on ILONA ANDREWS.

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-22 11:31 am

The Big Idea: Kate Heartfield

Posted by John Scalzi

For her novel The Tapestry of Time, author Kate Heartfield took a real moment in time, involving a real object, and gave it just a little twist, threading a needle between fantasy and reality. What time? What object? Read on!

KATE HEARTFIELD:

On July 14, 1944, the New Yorker ran a brilliant cover to celebrate the Allied invasion of Normandy almost six weeks before. The design, by Rea S. Irvin, was an homage to the 11th century Bayeux Tapestry, which chronicled Duke William of Normandy’s conquest of England.

It seemed fitting. Bayeux was the first town liberated, and where the exiled leader of the Free French Forces, Charles de Gaulle, chose to make his first speech after the invasion, on June 14.

But when he made that speech in Bayeux, the tapestry wasn’t there. In fact, even a month later when the New Yorker ran that cover, very few people on Earth knew where the tapestry was.

The tapestry (actually a kind of embroidery, but everyone calls it a tapestry) is massive: about 70 metres long. It was made sometime around 1070 C.E. and is basically a long comic strip, missing its final panels. When the Second World War began, it was put into a storage cellar in Bayeux.

Like many fascists, the Nazis were obsessed with trying to fit historical facts into their twisted narrative. Heinrich Himmler and many of his gang of archaeologists, historians and occultists saw the Bayeux Tapestry as a Germanic artifact showing the glorious past and future of their master race (because Duke William had Norse ancestry). Groups of Nazi officers and scholars started “inspecting” the tapestry (and at least one cut a piece off). Himmler was renovating a castle in Germany (using the forced labour of prisoners from two concentration camps) and stuffing it with looted medieval artifacts, to serve as the centre of the SS cult. In another timeline, that could have been the fate of the Bayeux Tapestry.

We often talk these days about the importance of putting grit in the gears of fascism, about the weaponization of paperwork. That’s what kept the Bayeux Tapestry in France, although some of the people putting grit in the gears were from other branches of the fascist project who just didn’t share Himmler’s particular brand of weird. In 1941, one of those branches managed to get the tapestry moved (in a truck running on an engine converted to charcoal because of the lack of gasoline) to a more remote storage facility, the Château de Sourches, where it stayed until 1944.

There, it would be safer against bombing – and also, not coincidentally, less subject to gangs of Nazi historians, amateur and otherwise, wielding scissors.

With the tide turning against Germany in 1944, Himmler decided he’d been stymied by bureaucracy long enough. He hatched a secret operation to take the tapestry first to Paris, and then to Berlin. They did manage to move the tapestry (in extremely hazardous conditions) to the Louvre, a few weeks after D-Day. But by the time Himmler managed to send two SS men to retrieve it in August, the people of Paris had risen up and liberated the city before the Allies got there. The Nazi commander of the city had to tell Himmler’s goons that the Resistance had just taken the Louvre, where the tapestry was being stored; they were welcome to try to get it.

(My main source for this part of the story is The Bayeux Tapestry: The Life Story of a Masterpiece by Carola Hicks, which is great.)

The story of the tapestry’s movements in the summer of 1944 is the inspiration and framework for my novel The Tapestry of Time, which is about four clairvoyant sisters racing against the Nazis to prevent them from using it for their nefarious ends. Think Indiana Jones: Raiders of the Lost Ark, except the tapestry instead of the ark, and instead of an American professor, the protagonist is an English lesbian who works at the Louvre.

I wove clairvoyance into the story because I was interested in exploring how we learn things about our past and dream about our future – and how fascism would like us to believe that we know things about our past, and can dream about our future. I often use fantastical elements to literalize metaphors and help us see the past in new ways, and this one helped me raise questions about how we can trust information, and the manipulation of gut feelings. Also, it was fun.

It was fascinating doing the research into the training given to the saboteurs and spies who helped the Resistance (which informed the Nazi-punching, and Nazi-shooting and Nazi-stabbing, in this novel). I will admit that when it came to learning what I needed to know about Nazi institutions and individuals, I sometimes found it draining to do the research about an evil that is still so fresh, and unfortunately so familiar. But these are stories we have to keep telling, because fascism will never stop trying to abuse history for its own ends.

This summer, I’m travelling to Dunkirk, to stand on the beach where my grandfather survived the strafing and bombing from German planes overhead. I’ll go to the beaches where the Allied forces landed four years later. I’ll go to Bayeux, where the tapestry survives, and is about to go out of public view for a couple of years of renovations (and a loan to the British Museum). If there’s a lesson I take from the many near-misses in the long history of the Bayeux Tapestry, it’s that small acts of courage or even just stubbornness, with a little luck, can change the future. My novel is my small offering of thanks to those who went before us and one way, I hope, to keep their stories alive.


The Tapestry of Time: Amazon|Barnes & Noble|Powell’s|Bookshop

Kate Heartfield: Website|Bluesky|Instagram 

Read an excerpt here.

ILONA ANDREWS ([syndicated profile] ilonaandrews_blog_feed) wrote2025-07-21 01:58 pm

The Inheritance: Chapter 12 Part 2

Posted by Ilona

It took less than a minute for the skelzhar to die. I disengaged once the cat collapsed, but Jovo was still stabbing it, drenched in blood and lost to a frenzy.

I made my way back to the gress and crouched by him, holding the amulet by the chain. The small metal disk rotated, suspended from my fingers. The gress’ eyes locked on it. His breathing was labored. The stumps of his arms weren’t bleeding. The shroud was devouring him from within, trying to repair itself, and it was draining his blood.

The Kael Order believed that during the final rite of their training their god sent a holy demon warrior to inhabit their bodies. The demon raged, and the best way to honor and satisfy it was to deliver pain and suffering. It was a very convenient construct that absolved the Kael’gress of all moral responsibility for their actions.  

The ruling elite had to maintain control, and that’s where the amulets came in.  According to their doctrine, the little metal circles literally contained their souls, safeguarding them from harm, and in case of the Kael, the holy fire of the demon warrior’s aura. A gress who lost the amulet was but “a bag of meat,” and their soul would never be reborn, remaining bound to the amulet for eternity.

I let the amulet dangle.

“Where is your witness?”

He didn’t answer. He was still focused on the amulet. 

“Bring your witness to me or die soulless.”

His gaze shifted to my face. He squeezed out a single word.

A small metal sphere descended from the ceiling and hung in front of me. I sliced through it with my blade. It fell apart, spilling its electronic guts onto the stone floor.  The gress recorded their kills, both to prove they completed their contracts and to boast.

I looked back at the gress. “Who hired you?”

He took a deep breath. “Rakalan.”

No reaction from the power within me. The gem was still dormant. “Did the Rakalan make this breach?”

“Rakalan do not invade. They are the invaded.”

“Who does the invading?”

“Tsuun.”

“How many worlds did Tsuun invade?”

“More than six of greater of six.”

Greater of six in their counting system was six squared, so thirty-six. Six of thirty-six was two hundred and sixteen. So many…

“Why do the Tsuun invade? What do they want?”

He blinked slowly. “Power.  Resources.  Territory.”

He was fading fast.  I had to get to the important questions. 

“What were the terms of your contract?”

“Find sadrin. Bring her back. Kill her if you fail.”

“Is that why you hunt me?”

“Yes.” His voice was a soft sibilant whisper. “You are sadrin. I must take you back.”

“How do you know I am a sadrin?”

His breath was a soft rasp. “I feel it…”

That wasn’t good.  If he felt it, did that mean anybody could feel it?

“Was the previous sadrin a Tsuun?”

“She was Rakalan.”

“Her own people hired you to kill her?”

“Yes.”

“Why?”

“Rakalan submitted. She did not. Rakalan resisted for greater of greater six of their rotations. Their sadrin held much knowledge. She was of value to Tsuun. Rakalan failed to deliver her. They feared destruction.”

The Tsuun had invaded the Rakalan world, and the Rakalans fought them off for one thousand two hundred and ninety-six years. In the end, the Tsuun won the interdimensional war, and the Rakalan surrendered. Turning over their sadrin must’ve been a condition of that surrender.

A death rattle clamped the gress. He reached for the amulet with a handless arm.

“How did you come to be here?”

“Sadrin fled. We pursued.”

“What makes sadrin valuable?”

“Knowledge. Knowledge accumulated, knowledge passed from parent to chosen offspring, again and again.”

“Why didn’t the Rakalan order you to bring the knowledge back?” They could’ve just carved that stone out of my mother’s head.

“Cannot be taken. Only gifted. If not gifted, knowledge dies with sadrin.”

I always wondered why the last Kael’gress had switched targets back in the cave. He was fighting my sadrin mother, and then he abruptly tried to kil me.  It was because he knew he would lose the fight, and I was the only other creature in the cave capable of becoming a sadrin. Bear wasn’t sapient enough.

The gress trembled.

“What does it mean to be sadrin?” I asked.

His voice was barely audible. His eyes were desperate. “Everything.”

I placed the amulet on his chest.

“You can let go now. I will make sure the shroud of the holy power cleanses your passing.”

Relief shone in his eyes. He took one last shuddering breath and went still.

I flexed. The gress no longer glowed red. In the moment I had scanned him on that stone breach, I wanted to go home, and I wanted answers. My talent tagged him as key to either one or possibly both. Now the way home was clear. I had my answers, too, but they just led to more questions.

 Somewhere out there a civilization named Tsuun waged interdimensional war. They invaded world after world. They probably had it down to routine now. Earth was just the latest of their targets. Some worlds must’ve been conquered immediately. Others, like the Rakalan, fought back for centuries.

When I sank into the gem, looking for the information on the gress, moving through their world didn’t feel like accessing a specific memory of a single being. It felt like a compilation of memories from different individuals, woven into a semi-cohesive whole. Like an encyclopedia article come to life, a summary of collected information from many sources presented in a concise format.

The assassin said that the Rakalan resisted for almost thirteen hundred years, which was why my mother was “of value.” This and the memories in the gem suggested that my mother wasn’t the original sadrin. She inherited her knowledge just like I inherited mine. If my guess was right, each sadrin added to the gem and passed that gift to the next, on and on, through generations. The longer their world resisted, the more knowledge the gem accumulated, and the more value it had.

When the Rakalan surrendered, my mother must’ve fled into a Tsuun breach linked to Earth. I had no idea how she ended up here, but she did, and the gress chased her into it. It had to be more than just an attempt to escape. What I saw of the gress was just a tiny sample of the information hidden in the gem. She had access to so much, she could’ve gone anywhere, and yet she decided to enter this breach. She didn’t just choose me, she chose humanity. She picked Earth and gave us this priceless gift. Her world’s war against the invaders was done, but ours was just beginning.

She let herself die. Had she kept the gem, she would’ve survived.  I was sure of it. She didn’t want to continue, so she died in the breach, the means by which the Tsuun invaded her world, betrayed by her people, never knowing if I and the knowledge she gifted me would survive.

I felt strangely hollow.

The gress didn’t say “sadrin.”  He said “their sadrin.” That meant other worlds had sadrins as well.  Was that something that occurred naturally or just in response to the invasion?  Whatever the answer was, the Tsuun wanted sadrins.  Perhaps they had a way to harvest our knowledge.

The Rakalan resisted for almost thirteen centuries.  Thirteen hundred years of war. The enormity of it slammed into me.  I sat down on the ground by the gress’s body. My legs refused to hold my weight.

How many gates was that?  How many deaths? Generations and generations, born with the war already burning and dying while it still raged. Thirteen hundred years. We’ve been fighting for only ten, and it already completely changed our lives. Over a thousand years of this?

And in the end, the Rakalan still lost and gave up their sadrin. If the Tsuun found out I existed and carried all of that generational knowledge in my head, they could pressure the Earth to turn me over.

Would my planet give me up? Was there even a point to going on?

Something nudged me. Bear brought me a bloody feline femur with shreds of flesh on it. The claw marks on her back weren’t bleeding anymore.

I flexed on autopilot. Well, the meat wasn’t poisonous, and she had already eaten some of it, so it was probably too late to make a fuss about it.

Bear nudged me again.

“Hey, Bear.”

She dropped the femur at my feet. I crouched. I’d read somewhere that dogs didn’t like being hugged. I had hugged her before because I was too far gone, but I was calm now, so I leaned against her, stroking her side. She leaned back against me and licked my cheek.

The flat, empty feeling inside me faded.

I felt more like myself.

There were so many fucking questions I didn’t have the answer to. What happened to the worlds after the Tsuun won?  They could be destroyed, occupied, vassalized… Did anyone ever win against the Tsuun?

The answers to all those questions were likely in my head and out of reach for now.  The most pressing question was, what do I do now? How do I fix this mess?

 Staggering out of the gate and announcing to the world that I was sadrin was out of the question. I had no intention of becoming a bargaining chip. Nor would I let the government collect me like a weird specimen or turn me into a weapon by keeping my kids hostage. If they understood what I was, I would face the choice of being eliminated, confined, or controlled for the rest of my life. Not going to happen.

My priorities were the same: get out of the breach alive and return to my children. But now there was one final part to that awesome plan. Once I managed to escape, I would end this invasion.

There would be no thirteen centuries of conflict. My children deserved a safe future. I deserved it.

The Tsuun wanted my mother because she was a threat. I would use her legacy. I had to get out and study the gem.  I needed to learn what it contained, how to access it quickly, and where to find the information I required. I needed to know what we faced. I needed to learn the limits of my new body. All of this meant I would need to hide until I accomplished that.

Bear and I had been stuck in this breach for at least a week. Whoever had the rights to this breach – whether it was still Cold Chaos or some other guild – would be sending a new team in.  For all I knew, they were already inside. That team would attempt to blast through the passageway London collapsed, because they would want to recover the corpses and the incredibly valuable adamantite.

London’s face flashed before me. Soon. We would meet very soon.

When the second assault team entered that cave, they would find the corpses of four alien humanoids and my mother. I couldn’t let that happen. I had to avoid anything that drew attention to the existence of sadrin.

If our government already knew about the Tsuun and other sophonts on the other side of the breach and they were actively hiding it, they could disappear the entire assault team for just discovering the bodies. Not to mention that the devourer shroud required living hosts. By now it would have fallen into a semi-dormant state from starvation and the moment a human approached one of the gress corpses, the shroud would strike. People would die.

London was pond scum, Melissa was a selfish coward, but the rest of the Cold Chaos members didn’t deserve to die or disappear if I could prevent it.

I looked at the anchor. It still loomed large in my mind’s vision, an ominous evil thing that had to be destroyed. If I shattered it, the gate would collapse in three days, but it wouldn’t solve the problem of the bodies, because it left enough time to search the mining site. The bodies would still be found.

Besides, everyone would know that I had destroyed the anchor. The anchors didn’t just spontaneously collapse on their own. I couldn’t stagger out of the breach and have it collapse behind me. My life would be over.

The compulsion burned in me. I had to destroy it.

No.  I was my own person.  I had other things to do. I had to clean this up.  The sooner the better.

I turned to the body of the gress, squeezed the amulet until it clicked, and spoke a single word in an alien language. “Irhkzurr.”

The amulet on the gress’ exposed chest turned red, then orange. The assassin’s flesh sizzled. The devourer shroud hissed, trying to crawl away from the heat and failing, trapped by its roots with the alien body.

The amulet grew yellow, then finally a blinding white, and the corpse turned to ash, the grey shroud writhing as it too was incinerated. A moment and the pile of ash collapsed onto the floor.

Jovo stood up on the dead skelzhar’s head, his bracelet clutched in his hand. He was splattered with blood and his eyes looked a little wild.

I gave him a little wave.

The lees hopped off the corpse of his enemy, shook himself, flinging blood everywhere, ran over to me, and showed me the bracelet. It was a metal band about two inches wide, that looked to be made of copper. Thin red lines crossed it, carving it into smaller sections.

He grinned at me.

“Home,” I said.

“Home!”

He jumped from foot to foot, spinning in place, then turned around, and hugged me. “Ada.”

“Jovo.”

He took my hand, squeezed it to his chest, and pointed to the exit, toward the gate. “Home.”

I nodded. “My home.”

Jovo put his paw on his chest and said, pronouncing the words very carefully. “Help.” He pointed at me. “Ada. Dan-ge-rous. Help.”

He flexed his arms and waved his knives around.

It took me a minute. My nice new friend from a different world, who helped me kill an assassin from an alien planet, was determined to walk me home. Because it wasn’t safe. Gentleman Jovo.

I sat on the floor and laughed.

The post The Inheritance: Chapter 12 Part 2 first appeared on ILONA ANDREWS.

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-21 02:13 pm

The Friend Who Isn’t

Posted by John Scalzi

First, watch this video, for the song “Brutus” by Em Beihold, which is a clever and enjoyable song about envy:

The thing I want to talk about here is not the song or its lyrics, both of which I like (and boy, who among us has not that had that same feeling at one point or another), but the final few seconds of the video, in which Beihold, at lunch with the girls, including the one who is the focus of her envy (and not coincidentally, all the attention). After watching everyone else lavish their attention on this woman, Beihold, or more accurately the character she’s playing in the video, finally gets up, goes to the woman (played by Katya Abayss), whispers to her about her envy, and leaves. And during these couple of seconds and directly afterward, we get to see the play of emotions across the enviable woman’s face.

And what are the emotions? As I see it: First, distracted as her friend comes over to say something private, pulling her away from her conversation already in progress, then confusion at the message, and then, right at the end, being upset and sad. Because the woman knows that, in this moment, she’s just lost a friend. She has no idea how, even if the now-immediately-former friend has given her the reason why. The reasons are all internal to Beihold’s character and how she feels about the other woman’s successes, personally and (apparently) professionally. This other woman is the cause of Beihold’s envy, but it’s possible and even likely that the woman had no idea that Beihold had all that going on in her head. Envy is often quiet, until it’s not.

(The other thing about envy (in the real world, at least) is that it’s often predicated on a fantasy version of someone else’s life, the part with where the fruits of their talent and/or money are evident but not the part where the human in the life still has to be a human and still has human concerns. In a world where some of the richest people in the world are very clearly desperately unhappy because (among other things) they simply don’t know how to people — and that’s in public! Imagine what it’s like in private! — there is indeed the constant reminder that money/fame/talent may solve some problems, but not all of them, and opens up a whole new set of problems that one has to deal with. High class problems! Which maybe other people think they would rather have than their own! But still problems.)

In the song and in the video, which she co-directed, Beihold the actual creative person does a fun and lively job of getting into the head of someone who has let envy finally get the best of them and stops seeing a friend as a friend and now sees them simply as a (possibly unworthy) possessor of a life they covet. But I think it’s important — and smart! — that after watching an entire video of humorous scenarios of the envying smoldering unhappiness at the envied, there are those few seconds at the end where we get to see that envy isn’t actually funny, and that it actually can hurt, not just the subject of the envy, but the object of it. Two people lose a friend in the video. Only one of them saw it coming.

— JS

vaznetti: (Default)
vaznetti ([personal profile] vaznetti) wrote2025-07-21 01:22 pm
Entry tags:

Austen Exchange Letter

Hello Author! I'm so excited to finally be signing up for this exchange, and the tag set is full of really cool options. It has been really tough to narrow my choices down, and I am enthusuastic about all of my requests, so much so that I decided to write a letter to keep track of my prompts. I also want to say that all these prompts are only suggestions, and if you have a story in mind, go for it! I love receiving stories which are a total surprise (obviously provided they don't clash with my DNWs.)

General Likes and DNWs )

preferences about fanfic for Austen canons )

Right! On to the prompts and comments for each request! As I said above, these are just suggestions, so feel to take whatever we matched on in a new direction if you prefer.


Mansfield Park - Jane Austen: F!Edmund Bertram/Fanny Price; Mary Crawford/Fanny Price; Tom Bertram/Henry Crawford; Tom Bertram/Fanny Price )


Pride and Prejudice - Jane Austen: Caroline Bingley/Colonel Fitzwilliam; Caroline Bingley/Fizwilliam Darcy; Lydia Bennet/Colonel Fitzwilliam; Lydia Bennet/George Wickham; Jane Bennet/Fitzwilliam Darcy )


Sense and Sensibility - Jane Austen: Colonel Brandon/Elinor Dashwood; Elinor Dashwood/John Willoughby; Edward Ferrars/Lucy Steele; Elinor Dashwood/Lucy Steele; Marianne Dashwood & Eliza Williams )


Crossover Pairings, so many crossover pairings: Caroline Bingley (P&P - Austen)/Any Hero From Another Austen Book (Any Other Austen Book); Tom Bertram (MP - Austen)/Caroline Bingley (P&P - Austen); Caroline Bingley (P&P - Austen)/Mary Crawford (MP - Austen); James Benwick (Persuasion - Austen)/Fanny Price (MP - Austen; James Benwick (Persuasion - Austen)/Marianne Dashwood (S&S - Austen); Elinor Dashwood (S&S - Austen)/Any Hero From Another Austen Book (Any Other Austen Book); Any Antagonist (Any Austen Book) & Any Other Antagonist (Any Other Austen Book) )
Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-20 02:49 pm

Jim Boggia at the Old Church

Posted by John Scalzi

After we purchased the Methodist Church building here in town, one of the things we said that we wanted was to keep it part of the community, and not just our own office building. One way we were thinking of doing that was to occasionally have events there that would be open to the folks here in town. Last night, we started doing that: Our good friend and almost incomprehensibly talented musician Jim Boggia came the Old Church (as we are calling the building now) to give a concert, and we gave an open invite to Bradford to come out and see him. The event — like all the events we’d be planning — was free to attend, sponsored by the Scalzi Family Foundation. Because, honestly, what’s the even the point of having a foundation if you can’t occasionally give a concert for your fellow townsfolk?

And how was the concert? Honestly, terrific. Jim is an immensely engaging performer and played a mix of his own (really great) tunes and rock standards from the 70s, which was perfectly in tune with this audience, who gave Jim a standing ovation at the end of his set. An excellent time was had by all, and for us — for whom this first event was a test case to see if there was local interest in such events and what we need to do to make them viable — it was proof that this sort of thing was something that would be enjoyed and appreciated in our home town. We’ll be doing more of this. Hopefully soon!

(PS: Get some of Jim’s music, it’s fab)

— JS

vaznetti: (wandering albatross)
vaznetti ([personal profile] vaznetti) wrote2025-07-20 01:39 pm

Scotswap 2025

I survived Scotswap 2025! Just kidding -- but it's been a long time since I have done a single fandom exchange and it is really nice to be able to read everything in the tagset. This exchange didn't have an anon period, so I can post about my gift and my story today!

I received this great AU in which Marthe does her best to extricate herself from the Dame de Doubtance's plans for her. It's beautifully written and there are some killer lines about how Marthe sees herself in relation to her brother:

Vagabond (3264 words) by morethanfantasy
Chapters: 2/2
Fandom: Lymond Chronicles - Dorothy Dunnett
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Francis Crawford of Lymond and Sevigny & Marthe
Characters: Marthe (Lymond Chronicles), Jerott Blyth, Original Characters
Additional Tags: Character Study, Alternate Universe - Canon Divergence
Summary: But it had always been about him the same way it had never been about Marthe, his shadow-self, his equal and opposite. exploring one way Marthe might have walked out on Francis Crawford and fate

And I wrote a story about Richard, reflecting on his relationship with Francis after the shipwreck in Ringed Castle:

the ancient customs of our ancestors (1965 words) by Vaznetti
Chapters: 1/1
Fandom: Lymond Chronicles - Dorothy Dunnett
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Francis Crawford of Lymond and Sevigny & Richard Crawford, Mariotta Crawford/Richard Crawford, Richard Crawford & Sybilla Crawford
Characters: Richard Crawford, Mariotta Crawford
Additional Tags: missing scene - Ringed Castle, Introspection, Gavin and Sybilla Crawford were not the greatest parents, Sibling Rivalry, letter-writing, Unsent letters
Summary: After meeting Francis at Philorth, Richard Crawford returns to Midculter, wondering whether the brother he thought he knew had ever existed at all.

Now I am off to sign up for [community profile] austenexchange -- I seem to write so much Austen fic for other exchanges, I don't know why I have never signed up for this one before.
ILONA ANDREWS ([syndicated profile] ilonaandrews_blog_feed) wrote2025-07-18 04:05 pm

The Inheritance: Chapter 12 Part 1

Posted by Ilona

Sorry, a friend needed some emergency feedback on the upcoming cover. Here we go. The song that in part inspired sadrin. Let’s see if the assassin can dance with the queen.

I opened my eyes. Nothing had changed in the tunnel. Bear still napped curled up around me. Jovo’s eyes were closed. I didn’t know how much time had passed, but I wasn’t overly thirsty, so it couldn’t have been more than a couple of hours.

I spent years in the gress world. I watched a generation of their young train, grow, achieve their rank, and be unleashed. I knew how they fought. I knew how they thought. I had accessed a layered memory, not just the recollection of a single being, but a collected amalgam of experiences, so complex that they blended into a simulation created in my mind.

It didn’t sit quite right. And I instinctually knew why: walking through the memories of others was a skill, and I was less than a novice. If it wasn’t for the overwhelming need to get back home, I could’ve gotten lost in the gress’ world. The desperation had anchored me.  Next time I would have to be much more careful.

And there would be the next time, just not any time soon. The gem had gone dormant. I’d drained whatever psychic battery powered it to nothing. The gem wasn’t gone.  It was still there, deep within me, beginning to rebuild its reserves. It required time to recharge – I had no idea how much.  There wouldn’t be any visions for a while. I was on my own. That was fine.  I found what I was looking for.

The Kael’gress were assassins, killers for hire, who spilled into the galaxy by the tens of thousands, taking contracts from the highest bidder. To their planet, they were a lifeline that assured supplies and survival. To everyone else, they were a blight, motivated by greed and reveling in sadistic cruelty. They weren’t born cruel. They were conditioned into it, and what happened to Jovo told me that the gress waiting for us to enter the anchor room was no exception.  

That desire to inflict suffering was a weakness, and I would use it. I needed answers. If I succeeded, I would get them today. If I failed, I would never leave this breach.

Everything I went through until now was training. This would be the real test. Only one question remained: could I hold out long enough?

I rolled to my feet and stretched, working out the stiffness in my legs and back. Jovo uncoiled and bounced to his feet. His eyes were calm and cold.

I pulled out the spider rope, folded it in half, and twisted the middle into a slip knot. I tested the loop on my arm. When I tugged on the rope, my makeshift lasso tightened around my wrist. I loosened the loop again and wrapped the rope around my left arm, holding the end in my hand.

“Ready?”

He nodded.

I reached for the dial and deactivated it. The barrier vanished. I waited for a moment. The gress could ambush us now, but he would not. The tunnel was narrow, and their bodies were fragile. He would wait until we entered the anchor chamber, where he would have plenty of room to maneuver. Attack and avoid, bleed the opponent and bide your time, wear them down and then strike the final blow, that was the Kael way.

The space beyond the tunnel lay empty. The way to the chamber was open.

I dropped the dial into my backpack, and we started forward.

The gress was watching us. I felt his gaze latch onto me. He was out there somewhere.

We passed through the massive stone doorway. Bright lights came on, flooding the big room in harsh artificial sunshine. The anchor chamber was a perfect square sixty-eight yards across. The floor, the walls, and the ceiling were identical, built with huge slabs of yellow stone, weathered and rough. Large clusters of pale crystals shone between the ceiling tiles, leaving no shadows in which to hide. The floor was bare, except for the dark pillar of the anchor jutting from the center of the room.

Jovo ran ahead, unhurried, his movements loose and free of tension. He leaped into the air and sliced the knapsack free of the cord securing it to the ceiling. The lees pulled the bundle apart. Things tumbled out, coins, hooped earrings, a sash… He sneered and tossed it all aside. Whatever he needed to get home wasn’t there.

The sound of stone sliding made me turn. The gress entered through the doorway we’d used to enter, all but gliding across the stone floor. At the other side of the room, the skelzhar  padded in through the other doorway, huge and menacing. Behind them, stone slabs descended, blocking the exits.

The trap was sprung. And it was a good one.

The gress studied me. He was seven feet tall and clad in the devourer shroud, a grey, seemingly tattered garment that shifted and moved around him. Neither plant nor animal, it fed on the fluids of his body. In return, it stung anything it touched, applying a powerful paralytic agent and then sucking its prey dry.

The gress were a lean species, with six limbs, two that served as legs, and four that were its arms, each pair with its own set of shoulders situated one under the other. They had evolved to climb their rocky world, and their distant relatives still scurried through the stone burrows on all six legs. The gress were terrible at stabbing but amazing at slicing, and the four blades held in the assassin’s hands reflected that. Narrow and curved, they were sickles rather than swords.

The gress stared at me, his eyes perfectly round, its sclera solid black, with huge dark pupils ringed with narrow purple irises. The shroud left a narrow strip of his flesh bare around the eyes and the lizard-like nose. The skin the color of mustard mixed with a pearlescent powder sagged off his cheek bones, the shroud having leeched all spare fat from his body. He was a skeletal killing machine, a lethal whirlwind of striking blades, and he was about to show me how fast he could cut.

Jovo let out a short, sharp yelp saturated with fury and outrage. His fur stood on end, and for a moment, he’d puffed up to nearly twice his size. I glanced to my right. He was looking at the skelzhar. A strange metal bracelet dangled from the beast’s collar.

The gress had used Jovo’s treasure to decorate his pet. The insult.

The big cat opened his mouth and coughed. It was almost a chuckle.

Beside me, Bear growled. It didn’t sound like any growl an Earth dog should have made.

I slipped my backpack off my shoulder. I’d taught Bear three commands, but Cold Chaos taught her others. It was time to put that training to use.

I pointed at the cat. “Fass!”

Bear exploded into a charge as if shot from a cannon. I spun away, shaping my sword into a long narrow blade, a double-edged katana that could thrust or slice. And then the gress was on me.

I flexed, stretching time. It bought me a split second, just long enough to recognize the pattern of his attack. I dashed away, running backward, my sword in front of me. The sickles carved at me, and I batted them aside, blocking just enough to keep them off me. The metal rang as his blades struck my sword.

He was fast, so maddeningly fast. If one slice of those sickles landed, it would carve through my arm all the way to the bone.

Strike-strike-strike.

I stabbed through a narrow opening between his slashes. The gress withdrew as if pulled back by a rope, widening the gap between us to twenty-five feet, and charged in again.

Strike-strike-strike.

My arm ached from the impacts. A blade slid too close, almost shaving the skin off my forearm. I leaped back, putting all of my new strength into the jump. I cleared twenty feet. It bought me a second, and I ran backward, right past the skelzhar. I glimpsed Bear and Jovo lunging at the huge cat. Jovo leaped in the air, his blades slicing. The skelzhar snapped at him, its conical fangs like the teeth of a bear trap. Somehow it missed, and Bear darted in and locked her jaws on his hind leg.

The gress was on me again, his sickles flashing. I kept running back, around the chamber, blocking as I moved. It was taking all of my speed to keep up. He was relentless. Unstoppable, untiring. He could do this all day.

I could feel myself slowing down. He was a trained killer who spent years honing his skills, and a week ago I had to ask Google how to best debone a chicken.

The gress knew it. His strikes gained a vicious rhythm. He slowed, then sped up, toying with me, making openings that were traps. Sweat drenched my face. Kael’gress were a cruel breed, conditioned to humiliate their opponents. Their lives were devoid of joy, so they became sadistic, getting off on inflicting pain. And I was such a tempting torture target. I escaped the original fight. I led him on a chase through the tunnels. I released Jovo. And now I was proving difficult to kill.

He couldn’t wait to slice me to pieces. He would revel in every moment of my agony.

I stumbled. A curved blade caught the edge of my clothes, its tip drawing a scalding line across my ribs. I shied away, running. Heat wet my skin under my coveralls. The wound was shallow, but it bled as if I was cut with a razor.

Across the room, the skelzhar pinned Jovo down with a huge paw. Bear leaped up and bit into the cat’s ear. The skelzhar howled and shook itself, trying to fling her away, but she hung on like a pit bull.

I kept running, veering left and right. The gress drew even with me. There were ten feet between us, and he was looking right at me, his purple eyes filled with glee.

I stumbled again and stopped to catch myself.

The gress loomed in front of me, so fast his movement was a blur. He leaped, spinning, his four arms rotating like the blades of a fan.

I flexed and saw him fly toward me in slow motion. He had decided I was done. This was the Kael finishing move, brutal and impossible to counter. He knew he would hit me, and his sickles would carve me apart.

Finally.

I shied to the right, putting all of the reserves I was saving into my speed. He hurtled past me and in the instant his feet touched the ground, his back was to me.

I sliced, shaving a wide section of the shroud off his back. It fell to the ground, a writhing, grey mat. The gress’ exposed back gaped in front of me.

The devourer shroud wasn’t a garment; it was a symbiotic second skin, bound to the gress by a myriad of nerves. If I had stabbed through it, it would barely react, but I didn’t pierce it. I cut it off. The moment my blade peeled a chunk of it off of him, every neuron of the shroud screamed in agony, dumping all of that pain into its host.

The gress shrieked as the excruciating pain twisted his limbs and dropped him to his knees.

I yanked the spider lasso off my arm and looped it around his neck.

He lunged away from me. The gress were fast. They were not strong. The spider rope snapped taut, and I jerked him back and onto my blade. My sword carved through his innards.

The gress tore himself off my blade, the ragged edges of the shroud reaching for me and falling short. He tried to spin around, his sickles lashing out, but I pulled him back, stabbing into his exposed flesh again and again and again.

The gress convulsed. I sliced the top right forearm off his body. Then the top left. The other two arms followed. I jerked him off his feet and dragged him across the floor to the pillar. It took me two seconds to tie him to the anchor.

I straightened. In the corner the skelzhar was snarling, bleeding from a dozen wounds, trying to stay upright on three legs. His right hind paw hung useless. His left eye was gone.

Huge angry gashes marked Bear’s back. She didn’t seem to mind, chewing on the other hind leg, while Jovo clung to the skelzhar’s back, sinking his knives into the fur.

I dropped by the gress, sliced the shroud on his chest, and ripped the metal amulet free. He wailed, his voice weak and fading. He thought I held his soul in my hand.

“I’ll be right back,” I told him in his language. “Don’t go anywhere.”

The post The Inheritance: Chapter 12 Part 1 first appeared on ILONA ANDREWS.

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-18 05:41 pm

Publishers Weekly on The Shattering Peace: “A Treat”

Posted by John Scalzi

And, well, yes! It is! The full review (here, warning, mild spoilers) also says that it is “tightly plotted” and otherwise praises the writing for catching up reader on the events of the series while still keeping things moving in the book’s here and now. And, again: Yes! I will take all that. Also, and I say this with just about every novel, it’s nice when the first trade review is a positive one. It means I can relax a little.

More news on The Shattering Peace soon. We are two months out from the release! Things are beginning to pick up momentum.

— JS

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-18 02:56 pm

The Big Idea: Caspar Geon

Posted by Athena Scalzi

Human characters have never been essential to tell a good story. Author Caspar Geon breaks the mold of featuring boring ol’ humans in his newest novel The Immeasurable Heaven. Come along as he takes you through worlds, nay, universes, of his imagination.

CASPAR GEON:

I’ve read that if you go outside and cover a portion of the sky with your outstretched thumb, you’ll be obscuring approximately fifteen million galaxies. There was a clear sky the other night so I went out and did just that, and it’s mind-boggling. That’s fifteen million distant islands, each home to hundreds of billions of stars. And all of that just a drop in a colossal ocean.  

This was the starting point for The Immeasurable Heaven: the conviction that there’s so much going on out there independent of everything we know or understand, so much that we’ll never have a hope of glimpsing, and my preoccupation with leaving all earthly issues behind to experience a tiny portion of it in some way. Pure escapism. Escapism with a capital, er, E. Fairly standard behaviour for someone who was put back a year in Primary school for ignoring his work and staring out of the window all the time. 

When I finished the final book in my space opera trilogy the Amaranthine Spectrum in 2018 (which had neither earned out, nor, as far as I can tell, earned much at all) the onus was on writing something less ambitious and more commercial. Simple, right? In the Amaranthine books I’d already compiled three biggish novels about the far future of humanity and the strange plethora of mammalian forms that it would eventually become; now I had to get serious.

Elderly relatives who’d made the mistake of trying my books would counsel me earnestly to write something with more human characters and relatable storylines, and I would nod my head, go home and do precisely the opposite, feeling that wicked thrill as I struck out on an adventure with zero human characters at all, set three billion years ago in a distant ring of connected galaxies. I was still writing it five years later. 

I wanted to find out what a settled galaxy would look and feel like after hundreds of millions of years of unbroken civilisation, what its inhabitants would have become, and how they would lead their lives. In that process I came up with the Throlken, omniscient machine intelligences that have set up home in the hearts of every star and ruled for a third of an aeon, forbidding violence of any kind. I met Whirazomar, a linguist forced to journey in the cramped, filthy confines of a sentient passenger spore with a hundred rowdy passengers, and Draebol, a hapless explorer of the lower dimensions. And I found the voice at the centre of it all, a prisoner sent far away for a very long time, its mind now utterly rotten. 

What I’d somehow assumed would be an equivalent amount of worldbuilding to the last three novels had ballooned into a stack of notebooks heavy enough to knock me unconscious if they toppled over. Spending time in the galaxy of Yokkun’s Depth and its seven linked neighbours had become an obsession as I wrote about reality-hopping sorcerers, walking parasite cities, coral and pollen spaceships, interdimensional multiplayer games and ice moon ocean battles. The book also delved deeper into the concept of mortality than anything I’d ever written, since death is presumably a constant that most sentient beings will at some point in their existence have to contemplate, and to this eternal question there might – somewhere – lie answers.

This went hand in hand with the nature of reality itself, which, when experienced elsewhen and elsewhere, is at its core a malleable notion quantified in countless different ways, especially once you throw a variety of sensory organs and methods of perception into the mix. Who can say which is the correct reality, the one true way of seeing? And what then is death, if reality itself cannot be firmly defined? ‘The Immeasurable Heaven’ (actually the English translation of the lovely Hawaiian name for our own galaxy cluster, Laniakea) was a title I couldn’t resist. 

Anyway, despite the constant risk of disappearing into my own belly button and popping out of existence entirely, my number one priority was to have as much fun as I could writing, especially since it seemed to me that this wasn’t going to be a book any traditional publisher would want to take a risk on. The fact that one eventually did still surprises me, even a week from publication. 

And so, to reference the book’s afterword, I hope you’ll join me on my leisurely trip across this immeasurable heaven, for there are many more tales to tell. 


The Immeasurable Heaven: Amazon|Barnes & Noble|Bookshop|Powell’s|Waterstones

Author socials: Website|Bluesky|Instagram

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-17 06:35 pm

No, I Didn’t Write It, No, They Didn’t Ask, No, They Didn’t Have To

Posted by John Scalzi

The comic book company IDW, in conjunction with Paramount, which owns Star Trek, has come out with a limited edition comic book series called Red Shirts, which is about the security teams in the United Federation of Planets, the first issue of which came out yesterday. Clearly from the cover and the panels you can see here, the comic series will not be shying away from the essential nature of the red shirt in the Star Trek universe, which is, to die for dramatic story purposes.

As most of you know, I wrote a book 13 years ago called Redshirts, which essayed this same concept, albeit not in the Star Trek universe specifically, and it did pretty well, becoming a New York Times best seller and winning the Hugo Award for Best Novel, among others. So how do I feel about IDW/Paramount now coming in and releasing some comic books with almost exactly the same name?

I feel fine about it. One, I don’t own the trademark on “red shirt” or any variation thereof (nor did Paramount when I wrote my novel, I checked), and I wrote a novel, not a comic book series, and anyway I borrowed the concept from Star Trek’s fandom, from whence the phrase came. I can’t exactly get worked up if Paramount and IDW reappropriate a concept I appropriated in the first place. Second, the phrase and concept have been used by others in other media before – there was a card game with just about the same title a while back, as just one example. We’re all working in a same pool. Overlaps will happen.

The only real issue — one I’ve already seen online — is that some folks appear to think I have some participation in this IDW limited series. I don’t. I’m not the writer (a fellow named Christopher Cantwell is), nor did anyone involved in this comic get in touch with me. Not that they should have; from what I can tell about the story it has only the vaguest common elements with my own novel. It’s its own thing, and should be appreciated as such. I mean, I hope it’s good. I wouldn’t want something even mildly adjacent to my own work to be junk. The early reviews I’ve seen of the first installment seem to be pretty positive. So there’s that.

Anyway: Nope, not based on my thing, nope, they didn’t check in with me, nope, I’m not upset at that, and nope, I shouldn’t be upset even if I were. Give it a shot and see if you like it.

— JS

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-07-17 01:23 pm

The Big Idea: Allee Mead

Posted by Athena Scalzi

Sometimes, we all need a friend. And sometimes, that friend is a robot that accompanies you to social events so you don’t have to go alone. Follow along in author Allee Mead’s Big Idea as they tell you about how real life feelings of disconnection led to their newest novella, Isaac.

ALLEE MEAD:

I began writing Isaac at a time in my life when I felt disconnected. I had friends at work but didn’t see them much outside of it. I didn’t chat with my grad school classmates. My most cherished loved ones lived a 5-hour drive away. One day, my town was putting on a free concert of a 90s band whose music I enjoyed. I texted only one person to see if she wanted to go, but she didn’t see the message until the next day. 

I began imagining a woman who owned a humanoid robot (“android” is the correct term, but “robot” was the word bouncing around my head) purely for social events. She kept him in the closet and only powered him on when she wanted to go to a movie or restaurant. In this vision, the robot finally gained enough sentience to ask if she’d leave him on for the night; eventually he left the house to see the world.

I wondered what kind of character this nameless woman was: where she’d gotten the robot, whether she had enough initiative to purchase him or if she somehow stumbled upon him. The story snowballed until the woman had a name and an estranged family and the robot had a clearer purpose. 

Now, despite writing a futuristic story about androids, I’m not a fan of new technologies. I got my first smartphone in 2015 at the age of 24, but I still power on my laptop anytime I want to make an online purchase. I don’t have social media and I once asked a friend if I could drive to her house and drop off cash instead of setting up Venmo. I’m at best ambivalent about technology’s ability to help people connect. I’m also someone who tends to sit on the fence instead of developing a clear opinion about something.

So as I wrote Isaac, I asked myself, “What ways will Isaac help Eleanor reconnect with the world, and what ways will he limit her?” I wrote scenes where Isaac’s presence encouraged Eleanor to go out more than she normally would: to see movies, plays, and concerts; to try new restaurants; and even to go to a bar on a crowded weekend night. I also wrote a scene in which Eleanor is all dressed up and ready to go out, only to find Isaac in the middle of a software update. She misses the play she wanted to attend, stewing in anger until Isaac enters the room. In another scene, her workplace is planning its annual picnic; Eleanor’s excited to go until she can’t think of a story to tell her coworkers about why Isaac isn’t eating.

Ultimately, I cut these last two scenes. What I potentially lost in deleting these scenes of technological limitations I gained in the juxtaposing moments of Eleanor’s fathers John and Javi. While we don’t see John wrestling with new technology, we watch him connect with Javi. Javi, who easily makes friends wherever he goes, encourages John to reach out to his therapist and join a parent support group. John learns that he doesn’t have to do everything on his own, and Javi learns to put down roots. In these moments, it’s less about the limits of technology and more about the benefits of genuine human connection in its many forms: platonic, romantic, and community.


Isaac: Amazon|Barnes & Noble|Bookshop|Space Wizard Science Fantasy

Author socials: Website

ILONA ANDREWS ([syndicated profile] ilonaandrews_blog_feed) wrote2025-07-16 02:35 pm

Funniest BDH Theories- Part 3

Posted by Moderator R

Most of us insisted we were Team Facts are King when we took the BDH Quiz. Yet here we are, a handful of The Inheritance chapters later, running out of red thread in our glitter-covered conspiracy bunker.

Turns out some of us are deep-cover Team Facts be Damned operatives. Honestly? Respect. Solidarity. Let’s never change. Here are a few of the fabulously funny and creative things we’ve come up with.

Disclaimer: As with Parts 1 and 2, this post is served with love, a celebration of our comment-section parties. I’ve joined in most of these, and started a few koo-ko bananapants conspiracies myself. No shade intended!

The Irish Coffee Vulnerability

Helen, Maud’s daughter from the Innkeeper series, will get drunk on both coffee and alcohol, and it’s going to be a problem.

She’s a vampire-human hybrid. The metabolism has got to be weird. The alcohol hits hard. The mocha hits harder. By the time she’s of age to take the reins of House Krahr, the Holy Anocracy is going to figure out the massive vulnerability and the enemies will manipulate her into traps. Irish coffee sort of traps.

Imagine the political fallout. The ripper cushions. The naked diplomatic drama.

I don’t think this will work. Because she’s Helen and she’s slightly terrifying, even when tipsy. Maybe especially when tipsy. And when all else fails, she has bacon.

Elara’s Identity

Much digital ink has been spilled trying to uncover Elara Harper’s true identity.

Don’t look for my theories about how she’s Melinoë, daughter of Persephone. Yes, there’s the white hair, the shadowy powers, the link to Hekate and that whole “appears in weird shapes and strange forms” thing. I was so confident! Also very incorrect.

There was also a strong Marzanna wave of support: death, frost, witchcraft, cows… it all fit! Until Morena/Marzanna waltzed into Sanctuary and got cozy with her hunnybun, proving there is already a Slavic goddess of death and winter accounted for. I love the Preceptor as much as the next Horder, but let’s face it, he’s no match for Cherny’s Nav game. Sorry, Hugh. You don’t got the volhvs for this.

So who is Elara? Tiamat, the primordial chaos? A shapeshifting, cosmic frost leviathan? The eldritch answer to Old MacDonald, with the chicken and the cows and the herb farm? We will find out in Iron Magic 2, which is a contender for the self-published release after work on Maggie 2 is done according to last Wednesday’s post.

The ILONAVERSE

There’s a character crossover between The Edge series and The Innkeeper Chronicles, but the two don’t take place in the same corner of the universe. They exist on parallel Earths.

I can tell you that I know every world this inn has reached so far, and your coordinates are not among them. Furthermore, you are asking for a portal to a world that is very similar to ours. That world is another Earth that exists in its own tiny reality, splintered from the majority of the cosmos. It’s like reaching into a pocket on the universe’s coat. I don’t know the capabilities of every inn on Earth, but I can tell you that my father always told me that creating a door to an alternative dimension like that could not be done. It would collapse the inn.”

Andrews, Ilona. Sweep In Peace, The Innkeeper Chronicles 2. NYLA Publishing, 2015. Kindle edition, page 130

The lees have now made an appearance in The Inheritance breaches. What does this mean?

Are the breaches showing up in the Broken on Edge Earth? But how would their magic survive? Are they in the Innkeeper world? But that’s breaking the cosmic Treaty, and the innkeepers and Ad-hals would have seen to them by now. Is it a third world, another of the splinter Earths of the multiverse?

Are the gress devourer shrouds the same as the robes of the corrupted Ad-hals? The Breaches could be the Mukama exit routes from Innkeeper universe! Bear’s Breach Chow diet might be how you turn a regular Shih Tzu into a Shih Tzu-Chi like Dina’s Beast! Are the gress skezhar the same as Cornelius’ Zeus arcane kitty? What if this means the Ilonaverse has 12 Earths, and it’s an indication of how many more series are to come?!

I don’t know which one is true…but it’s sure exciting to be a part of the Horde journey to get there.

The post Funniest BDH Theories- Part 3 first appeared on ILONA ANDREWS.